Showing posts with label sci-fi. Show all posts
Showing posts with label sci-fi. Show all posts

Wednesday, September 4, 2024

Screaming Intensifies is now available!

 NEW RELEASE


My short horror story collection, Screaming Intensifies, is now available in paperback on Amazon for $16.50. Thank you so much to John, Skaja and Scott for making this happen!

Screaming Intensifies is fifteen strange and fantastic tales: A man stranded on a deserted island is menaced by a mermaid. A seemingly idyllic Midwest farm is situated on the edge of a forest where strange creatures dwell. A sin eater attempts to help a man on death row. Demons, ghouls, weird west settings, fairy tale retellings, a horse-headed lady, and more dark imaginings haunt these pages. 

Here is an excerpt from the opening story, "Feather and Scale":

When Ash first glimpsed the mermaid, he thought he was hallucinating.

It was not an unreasonable assumption. He’d been on the island for ninety days now, give or take. He hadn’t kept track at first, his arrival a blur of heat and pounding headaches and denial. It was like he’d left his body and was watching someone else perform one series of grim tasks after another.

Plus, the creature he’d just glimpsed had resembled Jenna. For a second, he’d thought it was Jenna, her copper-bright hair distinct against the blue sea, only about twenty yards off the south side of the island. He’d almost called out to her, but then she’d arched her body in a dolphin dive and he could see where the fair skin graded into silvery scales. He’d watched as she’d disappeared beneath the surface, astonished at the length of her fishy lower body.

He kept the binoculars trained on the reef. A few minutes later, the mermaid emerged again in the shallows, foraging among the sponges and polyps. Her movements reminded him of a deer hovering at the edge of a clearing, nosing around in the clover. The mermaid scooped something out of the water into her mouth. It was too small for him to make out what it was. Her hand had pale, almost translucent webbing between the fingers.

She was there for less than ten minutes. When she finished grazing, she turned and glided back out into the open water. Again, she dove. This time, she did not resurface.

Stunned, he lowered the binoculars. “Whoo, boy, Jenna,” he muttered. “You’re not gonna believe this.”


Happy early Halloween to all!



Sunday, August 11, 2024

New Series: In the King's Power

 RELEASE DATE: SEPTEMBER 1, 2024 

I am excited to share that I will be releasing a new O4S-related series, In the King's Power. Part 1 will be available as an ebook on September 1, for only 99 cents. Parts 2-6 will be $3.99 each. 


The story will be released serially - one section each month:
  • September - Part 1
  • October - Part 2
  • November - Part 3
  • December - Part 4
  • January, 2025 - Part 5
  • February, 2025 - Part 6

SERIES OVERVIEW

Alyssa Calderon, powerful psychic, and highly trained field operative for the Order of the Four Sons, gets separated from her team when a mission goes south. Injured and alone, she finds a door that leads her to a strange and magical world called Corbenic. And the door doesn’t lead her just anywhere—it delivers her right to the royal palace, where she now finds herself at the mercy of its tyrannical King, James Sarpedonne. Days turn into weeks. Weeks turn into months. As Alyssa remains a prisoner, she finds her hope of ever returning home waning. Can Corbenic be her new home? Does she want it to be? She finds there are no easy answers, especially as she comes to make new friends, a new family, maybe even a new life.

 
PART 1 SYNOPSIS

Almost immediately, Alyssa finds that she feels oddly drawn to her royal captors, a feeling that appears to be mutual. King James recognizes Alyssa’s value as a seer and decides to keep her at the palace to serve him, which includes getting engaged to a prince. As Alyssa struggles to find her footing in this alien world -- a world filled with geomancers and alchemists, nobles and courtesans, fairies and mermaids – she must also find a way to hang on to her self


EXCERPT

The dining room was small, just big enough for the table, chairs, and space for servants to move about, but no less sumptuously appointed than the halls. A crystal chandelier hung from the recessed ceiling. A fireplace dominated one wall, windows the other, brocade drapes tied back to give them a view of the sea. Everything, every surface, was patterned, engraved, embroidered, enameled. Even the ceiling beams overhead were carved and inset with jewels. In such a close space, it was overpowering.

When Alyssa entered, the men at the table stood, and James’ voice greeted her, “Ah, here she is. Excellent. We’re so pleased you could join us.”

She halted, heart hammering in her ears. Besides James, there were two other men and a boy. All of them were mages. Powerful ones. Even the kid, and Geoff, too, who left her side and joined them.

He gave her the nod. Bowing her head, she curtsied low.

After a polite interval, James said, “You may rise.”

She did. Clasping her hands tightly in front of her so she wouldn’t fidget, Alyssa looked around at them. James was at the head of the table. He’d changed for dinner and now wore a cream-colored suit, embroidered with red, yellow, and green flowering vines, trimmed with gold threads, carnelians, and tourmalines. A small smile tugged at the corners of his mouth. She picked the thought out of his head, Geoff must have advised her on how to behave. Good.

She was going to have to watch it. Her psychic antennae needed to be up and running, but she couldn’t get carried away. She couldn’t afford to go all space-cadet in front of these people. Yet a great deal of information came to her all at once. The man to James’ right was younger, dressed in emerald and gold, then the boy, who was about ten. The boy wore violet, though he wore short pants and stockings beneath his coat instead of trousers. She knew immediately that those three were related. The family resemblance would have been obvious to anyone, but she could feel the bloodline running through them like a current, running in a straight line: father, son, grandson.

The man on James’ left was dressed in black and gold brocade. Alyssa looked at him, then quickly away, the blush stinging her cheeks like a slap. If James was beautiful, this man was simply unearthly. He was the same age as James, but with his smooth cheeks and reed-thin body, he could pass for a teenager. He had skin like milk, copper hair, and the bluest eyes she’d ever seen, almost turquoise. He would have been a perfect angel but for the expression on his lovely face: utter distaste and contempt, as if she were an unpleasant odor that had wafted into the room. She also found that he and James had an unusually intense attachment. It was sexual, yes, but there was something more to it than that-- something she’d never felt before. James’ son seemed to have a similar bond with Geoff.

All this came to her in the space of a few seconds. She didn’t have time to ponder any of it, though, before James spoke again, “I am James Walter Erebus Sarpedonne. I am pleased to present to you my son and Heir,” he gestured to the man at his right, “Prince Henri James Endymion Sarpedonne.” He gestured to the boy, “My grandson, Prince Leopold Felix Sebastien Sarpedonne.” He touched the elbow of the man on his left. “My inspirer and chamberlain, Lord Endymion Sinnis Heosphoros Miltiades.” At last, he nodded to Geoff. “And you’ve already met Lord Britomart.”

Alyssa inclined her head to each of them in turn, which she thought was a perfectly acceptable way to acknowledge everybody, but Endymion seemed offended. She didn’t look at him again, but she could feel the loathing radiating off him like heat off a stove. It took her aback-- she’d been awake for all of five and a half hours. What could she possibly have done to piss him off?

James nodded to the spot across from him and Geoff pulled the chair out for her. The seat was cushioned, but it had a carved wooden back. She sat stiffly, mindful of her bandages, her hands folded in her lap.

The rest of them sat, still watching her.

“How are you feeling, Miss Calderon?” Prince Henri asked. Unlike everyone else, he was built like a linebacker: thick neck, slab-like shoulders, and big, meaty fists. The face beneath his beard was round and sweet. Blue-eyed and russet-haired, he was nice enough to look at, but in this room, that put him at tragically average.

Their eyes met. With a start, she realized he’d been the one who’d found her. When she’d fallen through the doorway and landed here, Prince Henri had discovered her, filthy, bloody, and unconscious, on the palace grounds. The spill of dark hair, the limp, splayed limbs. He turns her over, eyes widening when he sees her face. Gently, carefully, he lifts her up in those huge arms, holding her against his broad chest--

“Miss Calderon?” Sky-blue eyes looked into hers with increasing concern. Well, Earth skies, anyway.

Alyssa blinked. “Huh?”

“I asked how you were feeling,” Henri said.

Right. Space cadet thing. Her back was throbbing something awful, but she managed a smile. “Oh, I’m up and about, thank you.”

On her right, Geoff whispered, “Your Grace.”

She kept that smile painted on. “Your Grace.” Addressing them all, she added, “In fact, I really appreciate this opportunity to say thank you in person. I’m so grateful for everything you’ve done. I know the Order will be as well.” Then she remembered she wasn’t supposed to talk. Well, that was about as much speech as she had prepared anyhow.

There was a pause. Then Henri said, “Think nothing of it, mademoiselle. It is the least we could do.”

Servants began to make the rounds. Her napkin was placed in her lap for her. Wine and water were poured. (Alyssa declined the former, so they offered her iced tea instead). Then came an assortment of hors d’oeuvres: scallops, quail eggs, snapper crudo on cucumbers, dolma, mini quiches, sausages, sweet potato croquettes, savory tarts, roasted vegetables, breads.

When everyone had been served, James said, “Everyone’s terribly curious about you, mademoiselle, and how you came to be here. Go on, tell them what you told me.”

Putting her fork down, Alyssa repeated her sitch report, more or less verbatim. When she got to the part about neutralizing targets, the boy, Leopold, piped up, “What were the targets?” His gray-green eyes were bright and inquisitive.

“Demons,” she replied.

“Yes, but what kind?”

“Ghouls.”

“How did you neutralize them?”

“Grenades to flush ‘em out. Flame throwers to finish ‘em off.”

“Really?” he leaned forward eagerly. “What else have you fought?”

“Now, Leo,” Henri admonished, “it’s her tale. Let her tell it.”

Disappointed, the boy sank back in his chair. Alyssa gave him a little smile, then told them the rest of it.

“What was it that wounded you?” Henri asked.

“A gug.”

“A what?”

“A gug. Y’know, the--” she started to raise her arms to pantomime the enormous mouth opening and closing, but immediately regretted it. The pain was so intense, she had to grip the edge of the table for support. “-- the vertical jaws? About… about twelve feet tall? No? Well, they eat ghouls. They have pink eyes and these nasty arms that split at the elbow, so they have four sets of talons. One of them raked me down the back.”

They stared at her, aghast. “How on earth did you get away?” Geoff asked.

“Ran like hell.”

Leopold spoke up again. “But the poison--?”

“Yeah, I don’t know. I just… kept going.”

“This Order you mentioned before,” James said. “Tell us about it.”

The pain was really starting to wear her out, and she was not prepared for that question. “That’s a lot of history to cover. The Order’s very old.”

He took a sip of wine. “We have time.”

“Well, the Order began about five thousand years ago, in a place called Egypt. It was started by a group of mages who dedicated themselves to protecting our world from extradimensional threats. Since then, we’ve branched out to include not only mages, but scholars, soldiers, psychics, and technicians, but the mission stayed the same: protect humanity from demons and dark magic. We operate in secret, but we’re basically a nation unto ourselves. We have a government, laws, schools, customs, even a religion of sorts. I was born into it. Not everyone is.”

“Why do you operate in secret?” Henri asked.

“Because throughout my world’s history, there have been times when it wasn’t safe to be a mage.”

“So, the rulers of your world, they are not mages?” James asked.

“Almost never.”

Onyx eyes regarded her across the table. “How many members would you say this Order of yours has?”

“Well, we’re global, so. A lot.”

Without warning, Endymion slammed his hand down on the table. “Your Wisdom.

Alyssa had almost forgotten he was there. “Sorry…? Oh! Sorry! Your Wisdom! I forgot! I’m so sorry. We don’t use honorifics like that where I come from. Your Wisdom. It won’t happen again.”

Still indignant, Endymion opened his mouth to speak again, but James touched his arm. “She is foreign, after all.”

James motioned for the servants to bring the next course. It was the soup course, and a selection of broths and bisques were ladled out.

“Now, where were we?” James mused. “Oh, yes. Your Order. Ancient, stealthy--”

“Are there many women in the Order?” Henri interjected.

“Yes, Your Grace.”

“Many women soldiers, like you?”

Alyssa tasted her soup, pomegranate seeds and split peas. Delicious. Too bad she wasn’t hungrier. “It’s not uncommon, Your Grace.”

The notion seemed to disturb him. “It must be very dangerous in your world, for the women to have to fight alongside the men.”

“Where I come from, Your Grace, we are considered equal to men. We don’t fight because we’re desperate. We fight out of duty, and because some of us are good at it.”

James laughed outright at that.

Meeting his gaze squarely, Alyssa said, “I’ll wager I’m trained on every weapon you are and then some. Your Wisdom.”

The King stopped laughing. Next to him, Endymion looked murderous...

 


Tuesday, July 30, 2024

July News

PUBLICATIONS



My poem, "Father," was reprinted in Confetti's spring issue. (It previously appeared in New Feathers.) Thank you to editor Gabriel Sebastian. 


COMING SOON FROM WHISKEY CITY PRESS

Screaming Intensifies is fifteen strange and fantastic tales: A man stranded on a deserted island is menaced by a mermaid. A seemingly idyllic Midwest farm is situated on the edge of a forest where strange creatures dwell. A sin eater attempts to help a man on death row. Demons, ghouls, weird west settings, fairy tale retellings, a horse-headed lady, and more dark imaginings haunt these pages. More details to come.



NEW O4S PROJECT


For the three or four of you that read and liked The Order of the Four Sons series, I have been working on a project since 2015 that I am now doing final edits on. It's an alternate timeline called In the King's Power, and will be released serially in six parts. I haven't decided yet if I'm going to use Kindle Vella or just plain old Kindle Unlimited. It was a lot of fun to write, so I hope someone else finds it as fun to read. I will share more details as I finish up edits and get ready to release Volume 1. Stay tuned!


Saturday, June 15, 2024

Cover Reveal: Screaming Intensifies

 


I am pleased to share the cover art for my short story collection, Screaming Intensifies - coming soon from Whiskey City Press. Many thanks to John Patrick Robbins, editor and cover designer, as well as Skaja Evans and Scott Simmons. 

Screaming Intensifies is fifteen strange and fantastic tales: A man stranded on a deserted island is menaced by a mermaid. A seemingly idyllic Midwest farm is situated on the edge of a forest where strange creatures dwell. A sin eater attempts to help a man on death row. Demons, ghouls, weird west settings, fairy tale retellings, a horse-headed lady, and more dark imaginings haunt these pages. 

Here is an excerpt from the opening story, "Feather and Scale":

When Ash first glimpsed the mermaid, he thought he was hallucinating.

It was not an unreasonable assumption. He’d been on the island for ninety days now, give or take. He hadn’t kept track at first, his arrival a blur of heat and pounding headaches and denial. It was like he’d left his body and was watching someone else perform one series of grim tasks after another.

Plus, the creature he’d just glimpsed had resembled Jenna. For a second, he’d thought it was Jenna, her copper-bright hair distinct against the blue sea, only about twenty yards off the south side of the island. He’d almost called out to her, but then she’d arched her body in a dolphin dive and he could see where the fair skin graded into silvery scales. He’d watched as she’d disappeared beneath the surface, astonished at the length of her fishy lower body.

He kept the binoculars trained on the reef. A few minutes later, the mermaid emerged again in the shallows, foraging among the sponges and polyps. Her movements reminded him of a deer hovering at the edge of a clearing, nosing around in the clover. The mermaid scooped something out of the water into her mouth. It was too small for him to make out what it was. Her hand had pale, almost translucent webbing between the fingers.

She was there for less than ten minutes. When she finished grazing, she turned and glided back out into the open water. Again, she dove. This time, she did not resurface.

Stunned, he lowered the binoculars. “Whoo, boy, Jenna,” he muttered. “You’re not gonna believe this.”

 


Wednesday, June 29, 2022

June News

I’m relieved to say that I’m on some new medication and feeling much better than I was when I made my last post. I’m hoping that means I’ll be back to writing and submitting work. The only reason I have publications to share is because this is stuff that got accepted months ago—sometimes, it’s a good thing that it takes so long for publications to come out.  


Publications

On Cultural Daily’s Poets on Craft series, I got to share my thoughts on the cadralor form. I was honored to be featured alongside poet Sun Yung Shin, who discusses her writing process. Many thanks to Bunkong Tuon for this opportunity.



My poem, “Kiva,” appeared in K I N E T I C, Anthology #2 from Colliding Lines (UK). The editors paired each poem with an artist who created a piece based on it. Because of the health issues, I was unable to (virtually) attend the launch party hosted by the London art space, IKLECTIC, so I haven’t seen the art yet. I am a huge art geek, so I’m always thrilled to see my work interpreted into a visual medium. I am eagerly awaiting my contributor’s copy. Many thanks to Wesley Freeman-Smith for this wonderful project.  



Another organization that did an art/poetry collaboration this month was Ice Floe Press. My poem, “Touch, Stones,” appeared as part of their Work and the Anthropocene series, accompanied by art by Cathy Daley (pictured above). Many thanks to editor Robert Frede Kenter.



Horror/spec fiction fans, just a reminder that the Queer Weird West Tales anthology's release is still scheduled for Aug. 31. My short story, "No Mercy Down in the Mine," is included. (If you are familiar with The Order of the Four Sons series, my story is set in Carcosa.) The ebook is currently available for pre-order at Amazon, Apple, B&N, Smashwords, and Kobo. There will be a paperback version released in August as well. Read editor Julie Bozza's publication announcement for more details. The authors were given a sneak peek at the cover this month, as well, and it's pretty awesome. I'm looking forward to sharing that with you all.


Thank you for reading!


 

Monday, October 29, 2018

October News

Hello, friends! I just have a couple of things to share with you this month.



The first is, Necropolis, (The Order of the Four Sons, Book V), is now available in paperback, $12.99 on Amazon. The transition from Createspace to Amazon's new print-on-demand platform wasn't nearly as painful as I thought it was going to be. Now you tactile-types can have a book you can actually hold in your hands!

Purchase here

Read the synopsis and excerpts here


The second thing is an ICYMI: I posted a new horror short for Halloween called "Last Suppers." It's the tale of a sin-eater living in the 1980s Midwest. Read it here.

Thank you, as always, for reading. Wishing you all a Happy Halloween, a joyous Samhain, and feliz Dias de los Muertos!




Tuesday, September 25, 2018

September News

Happy Autumn, readers! Here are some new places you can check out my work:


Whale Road Review published my poem, "Without," about the refugee crisis. Editor Katie Manning called it both powerful and timely. Read it here.


trampset published my poem, "Requiem for a Robot Dog," which they called "a strangely beautiful poem." Read it here.


Peinate: Hair Battles Between Latina Mothers & Daughters, a new anthology by La Pluma y La Tinta, included my poems, "Abuela" and "Piojos." It's a subject very near and dear to my heart, and I'm thrilled to be included. Copies are available for purchase here.


And last but certainly not least, if you've been watching this blog, then you know that Necropolis, The Order of the Four Sons, Book V released this month. It's available on Amazon, Smashwords, Barnes & Noble, and other retailers. If you're an O4S fan, I hope you've already got your copy. As always, reviews are welcome and appreciated. If you have yet to discover the O4S universe, what are you waiting for? There's a helluva good universe next door. Let's go.

Next month, I will have-- well, not a horror story, exactly. A supernatural tale that doesn't fit neatly into any genre category. I hope you enjoy it.

Thanks, as always, for reading. Till next month!





Thursday, September 13, 2018

Book V is here!


Friends, I am pleased to share that Necropolis: The Order of the Four Sons, Book V, is now available as an ebook.

Kindle users can download it on Amazon.

It is also available on Smashwords, which offers a variety of formats for different devices.

It will be available soon on Barnes & Noble, Kobo, Apple, and other ebook retailers.

Here's the synopsis for Book V:

“Kill the old gods, and become a god yourself.”

In the wake of their defeat, Starry Wisdom has retreated to their home world of Cerulean, a seemingly idyllic society they have engineered for their own dark purposes. There, Joan Metz; her son, General Michael Anglicus; and the rest of Starry Wisdom proceed with their plans to assemble the Staff of Solomon, even as they prepare for the inevitable reprisal from the Order and Corbenic. Already plagued by doubts and in-fighting, further conflict arises when Countess Elizabeth Bathory is brought into their inner circle, with Nathan DePriest as her apprentice.

The surviving members of the Order, along with a team of Corbenese soldiers and geomancers, have succeeded in infiltrating Cerulean. As they launch a series of attacks, they, too, struggle to overcome their differences.

Meanwhile, in Cerulean’s central city, Bill Welsh is posing as a citizen. Still in thrall to the creature Akhenaton, he wages a fight for his very soul.

Already, heavy losses have been sustained on all sides, driving everyone to increasingly desperate actions. Despite Cerulean’s modern exterior, ghosts, spirits, fearsome beasts and demons still lurk. Worlds hang in the balance as enemies clash. With the end game fast-approaching, anything is possible, and no one is safe. 

Read an excerpt here

Thank you all for waiting so patiently for this installment. Five books down, only one left. I'll keep you posted on its progress.

Enjoy, and please let us know what you think of Necropolis.



Wednesday, August 29, 2018

August News

Hey, folks! Here are the places you can check out my latest work:


"Large-Breasted Woman" and "Day of the Dead" appear in the Flint Hills Review.



"Rootstock" and "Cicada" appear in the BLOOM edition of Brenda Magazine. You can also read "The Tattoo Artist" on their website here.


O4S update: I finalized the manuscript for Book V this morning and have started formatting. Cover art is in the works. Check out an excerpt here.

Thank you for reading! I'm always thrilled to hear from you, so don't hesitate to leave comments, feedback or reviews.




Wednesday, July 18, 2018

New O4S Cover Art!

I'm pleased to share with everyone that Necropolis (The Order of the Four Sons, Book V) is on schedule to release in either August or September.

A new book calls for a new look, right? Check out the new cover art for the series. I will share the Book V cover as we get closer to the release date. All four books are available on Amazon and in paperback.





Monday, June 18, 2018

The Sacred Heart Soundtrack

It’s been almost two years since I posted the Book III soundtrack. Man, how time flies. I had promised that I would do Book IV’s sometime after it was published. (Technically, I have held to that.) But then I thought I’d wait until after Book V was done. That took longer than anticipated.

But we’re here now—Book V is basically done! Which means cover art in the works! And The Sacred Heart soundtrack. Hooray!

This part of the story is even more character-driven than the previous entries. As such, I didn’t really focus on soundtracking individual scenes as much as I did assigning the various characters a song.


Without further ado… THAR BE SPOILERS! Proceed with caution.

**10/12/21, Edited to add, I used to have YouTube videos embedded in this post, but videos have a way of getting yanked. So I've created Spotify playlists for all the books. The Spotify lists actually have more songs than what I included in these posts, so, I hope you enjoy the bonus tunes. 

Spotify Lists:

If you want my commentary on the songs, here are the other soundtrack blog posts:


The Sacred Heart Soundtrack 


1. Christophe - Non, je ne regrette rien, Edith Piaf

Christophe is probably our favorite character in the whole series. Among his many virtues, he lives life at full throttle. Even as an eight-year-old kid, he says of his exploits, “No regrets.” I can’t think of anything more Christophe than that.


2. Madeline– Lady Marmalade, Patti LaBelle

Murphy and Bill jokingly refer to Christophe as “Lady Marmalade,” but the song itself is more fitting for Christophe's lady love, Madeline, an ex-courtesan who has managed to emerge from her poor start in life to become a woman of refinement, grace, courage and wisdom.


3. Jack – I Will Possess Your Heart, Deathcab for Cutie

“You gotta spend some time, love
You gotta spend some time with me
And I know that you'll find love
I will possess your heart.”

This song is actually really creepy, which means it is totally Jack. He is determined to possess hearts… and other organs.

4. Janus – Bad Businessman, Squirrel Nut Zippers

“…every time he deals a round 
It's just a bad hand 
What a bad man. 
Beware of what he sells 
Surely go straight to hell. 
T' ain't no bottom in that wishing well
Bad businessman…”

Janus is one of those characters that we feel very sorry for—he was born to two people trapped in a loveless marriage, and it pretty much goes downhill from there. We hope reincarnation exists for his sake because he has the potential to be a very fine human being. But not in this timeline.


5. Nicole – Missing, Evanescence

“Please, please forgive me,
But I won't be home again.
Maybe someday you'll have woke up,
And, barely conscious, you'll say to no one:
‘Isn't something missing?’”

Janus’ misery spills over and drowns his poor wife, Nicole. She’s not a major character, but the ripples caused by her life and death factor heavily into the story’s events.


6. Leto – Off to the Races, Lana del Rey

“My old man is a bad man
But I can't deny the way he holds my hand
And he grabs me, he has me by my heart
He doesn't mind I have a Las Vegas past
He doesn't mind I have a L.A. crass way about me
He loves me with every beat of his cocaine heart…”

Let’s just say, Leto’s dad is the grossest. Thank God she takes after her mother.


7. The Blue Room– Black Black Heart, David Usher

Oh God, this song. This scene. Leo and Alyssa bonding the way they do best: over sex and trauma.


8. Dreamfast – Goodnight, Irene

Kate finds out who she is. It’s a lot to unpack. Homegirl’s gonna need some time, is what I’m sayin’.


9. Riots/Mauvais Sang – Get Free, Whissell

I’m cheating a bit here. I didn’t hear this song until about a year ago, well after Book IV was done. But the minute I heard it, it took me right to Lady Lamprise sitting astride her horse. The gals all get tossed in the slammer. And of course, the whole damn planet is under occupation, so there's that too.  


10. The Proposal - Time is Running Out, Muse

Leo proposes with predictable results.


11. Liberation – Club Foot, Kasabian

This is one of those songs where it’s not so much about the lyrics for me, but the way the song sounds. It’s a frantic song, and an uprising is definitely a frantic time.


12. The King – Follow the Sun, Xavier Rudd

I mean, it was either this or “Here Comes the Sun.” 


13. 1,000 – Trigger-Happy Jack, Poe

Jack again, playing his dirtiest trick of all.


14. The Funeral - The Sisters of Mercy, Leonard Cohen

There’s nothing to say here but *sniff.*


15. Exeunt - There’s No Home for You Here, The White Stripes

Parting is such sweet sorrow.


Goodbye, Corbenic. Hello, Cerulean. Our last stop in the O4S-verse. 



Thursday, May 24, 2018

Necropolis Excerpt

As I mentioned in my previous post, I have a working first draft of The Order of the Four Sons, Book V. I'm hoping for a release in August or September.  

If you've read Book IV, you've read the excerpt we included at the end. Here's a brand-spankin' new one, in which Lady Bathory and Nathan DePriest are up to their usual mischief.  

Enjoy!

3_love of Elizabeth Bathory, by b-lackdante


Excerpt from Necropolis 

Millie had done what Lady Bathory had asked of her—she’d dropped what she was doing and hastened to get the candidates from Earth brought over. (With the General’s permission, of course, though he had told Millie that she was not beholden to Bathory’s unreasonable timeframe.) Millie had only just done it the night before for the General—six associates from Earth had been summoned to meet with him. So Lady Bathory’s request should be a piece of cake. Transdimensional communiques had to be sent out. Usually, technicians were dispatched to open the gate, but with new security measures, only Esfir Taghvaei, one of the Matriarch’s high priestesses, was allowed to do so.
To Millie’s satisfaction, it all went off without a hitch. The gate to Earth was in a field outside the city of Omoroca, its boundaries marked by granite standing stones. Millie almost always went to the gate to greet the arrivals, and soldiers always escorted her. She assumed this was a ceremonial duty demanded by the General.
The eight people Bathory had requested began arriving at 1:30, four men and four women. By 2:30, they had loaded their luggage into the vehicle and were speeding back to Evangelium. As they drove, the candidates inquired about the position, about Lady Bathory, and about Cerulean itself. Millie pointed out landmarks as they rolled past and their visitors were suitably impressed. It should have been a pleasant enough journey, but a few times, Millie caught the people from Earth looking at her in a way that made her uncomfortable. Even the soldiers seated on either side of her, usually so impassive, seemed more alert than usual. Millie arranged such travel for people who served the Matriarch several times a year, at least, and while some of them were a bit distant, or even cold, she couldn’t remember a group that had made her so distinctly nervous.
By 4:00, Millie escorted the group to Lady Bathory’s door. As always, Mr. DePriest let them in.
After Millie introduced the guests individually to Lady Bathory, the Countess gave her an appreciative nod. “Thank you very much, Miss Kincaid,” she said. “Would you be so good as to wait downstairs while Nathan and I conduct the interviews?”
“Of course, Lady Bathory.” To the visitors, Millie smiled and said, “Good luck.”
Millie had brought her tablet and mobile with her. She checked in with the General to make sure his meeting had gone well (it had), and to see if he needed her for anything else today (he didn’t), then settled down in the lobby to get some projects knocked out.
An hour went by. Then two.
Late again? Donald sent.
Yeah, sorry.
He sent her an image of Phoebe and Daisy at the dinner table, making extravagantly silly faces over steaming bowls of chicken and dumplings. Millie’s favorite meal. Millie sighed. He’d gotten a bit short with her last week when she’d forgotten to pick the girls up from school. Apparently, all was forgiven.
She decided to take a walk—first just around the block. Then down to the park and back. She browsed some nearby shops. Throughout, Donald sent her more photos of the girls: bent over their homework, playing outside, getting ready for bed.
They had reached the four-hour mark. Perhaps Lady Bathory had forgotten she was here?
She tried calling Lady Bathory’s mobile, but there was no answer. At last, Millie returned to the apartment building.
With a soft ding and a swish of doors, the elevator delivered her to the top floor. Immediately, Millie felt the skin along her scalp begin to prickle and her heart sped up. Something was wrong here. What was it?
Stepping into the hallway, the first thing she noticed was that the air smelled funny, like something had burned, mixed with another, fainter smell, almost metallic. There was a wet streak along the marble floor, too thick to be water or tea. Could it be blood? But how? What could have possibly happened? Structurally, the building looked fine, though there were long gouges and burn marks in the walls. The door to Lady Bathory’s flat hung askew, partially torn from its hinges. Its wooden surface was also marred by scorched-looking holes. Voices came from within. Millie couldn’t make them out, but the metallic smell was stronger here, damp and rank. At her feet was a larger streak of blood that ran the length of the foyer and rounded the corner into the living room. Carefully, quietly, Millie followed it, the voices growing louder. And there was another sound now, a sound like something scraping and tearing…
In the living room, Millie froze.
The flat, previously so serene and tidy with its creams and beiges, was now almost entirely coated in a lurid red. It dripped thickly from the walls and the windows. The floor was coated in it. Standing pools made a swamp of the furnishings and the throw rugs, darkened clots squelching in the fibers. It seemed no surface had been spared, everything soaked and smeared and spattered...

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