Thursday, September 30, 2021

September News

Hi, friends. I thought September was going to be a quiet month, and it turned out to be anything but!


First, I’d like to share that I will be co-hosting the SpookFest 2021: On Mute, No One Can Hear You Scream.


Saturday, Oct. 30, 2021

6-8 pm CST

You may attend via Zoom or tune in on Facebook live.

I’d like to invite you to sign up to read—poetry or prose, bring something spooky! If you don’t have something written, we’d also love to hear any para1 experiences you’d like to share. We will also have a costume contest—winner receives a $25 Amazon e-card. I’d love to see you there!


I’m also over the moon to share that I have received two Best of the Net nominations this year.


“Beauty Released” was nominated by D.C. Wojciech at Anvil Tongue Press. You may read the original poem along with a selection of other poems here.


Acheiropoieta,” a cadralor, was nominated by Lori Howe at Gleam.

Many thanks to D.C. and to Lori—it’s a tremendous honor just to be nominated.


Here are my publications for September:


Asylum Prayer,” appeared in Volume 5 of Switchgrass Review, page 111. (Reprinted from the Rye Whiskey Review.) Many thanks to editor Robin Carstensen and the rest of the Switchgrass team.  


Two Bits” appeared in Rye Whiskey Review. Always grateful to my dear friend, editor John Patrick Robbins, for his unflagging support.


A selection of poems appeared in Lothlorien Poetry Journal, one of my favorite poetry spots. Thank you to editor Strider Marcus Jones.  


I’m pleased to share that the Making Waves: A West Michigan Review journal is out! It has my poem, “Ambergris.” Copies are available for purchase on Amazon or you can go to the journal website and listen to audio recordings by poets and authors. My thanks to the West Michigan Review editorial team for putting together this beautiful journal.


First Blood, Last Blood” appeared in Sledgehammer Literary Journal (UK). I will have another poem there next month. Many thanks to editor J. Archer Avary and the rest of the Sledgehammer team.  



This is not a publication, but I was one of the featured readers at the September 7 SpoFest event, along with Jonie McIntire, Paul Koniecki and Molly Fuller. If you didn’t catch the show live, it was recorded.



I posted two O4S trivia posts this month, both for Going Forth by Day (Book 6): Part 1, Part 2.



And finally, I’d just like to share that the Thank a Nurse writing project has brought in over 40 poems and messages from poets across the US, as well as Peru, Poland, Taiwan, Thailand, Turkey, Bosnia and Herzegovina, India and Italy. Thank you so much to everyone who has contributed—we appreciate all the help we can get to keep our nurses’ spirits up.


Thank you for reading! 

Saturday, September 25, 2021

Thank a Nurse Writing Project


Hey, friends. I have an unusual submission call-- poets and anyone who would like to write a short, heartfelt thank-you to a nurse, I would love to hear from you.

For poems, I'm looking for short pieces (maybe 8 lines max) to thank nurses for their continued work during the pandemic.

I work at the School of Nursing at the KU Med Center campus. The nurses at our hospital are working just as hard and as tirelessly as they did last year to battle this new wave of Covid. Last year, a lot of businesses and organizations sent them free food and other thank-you gifts. People applauded. This year-- not so much.

My colleagues at the School of Nursing are organizing a volunteer effort to put together thank-you goodie bags for our hospital's nurses to show our support. We're getting together this week to work out the details, but we know we want to include notes of gratitude and encouragement.

Here's where you come in. I was thinking I'd write a series of short poems about nurses as my way of saying thank you for what they do. I was wondering if some of you might like to contribute some, too?

Just a few lines, something we volunteers can handwrite or fit onto a printable card. You can include your name or remain anonymous, if you like. You can contact me on Facebook or email me, laurenscharhag@gmail.com

Thank you!




Friday, September 24, 2021

O4S Trivia Post: Book VI, cont.

Well, O4S fans, here is the final trivia post for Going Forth by Day (The Order of the Four Sons, Book VI), and for the series as a whole. If I think of any more good stuff to share, I may do another one at some point in the future, but I think I hit the higlights.   

SPOILERS AHEAD - consider yourself warned!

If you haven't already read them, the previous trivia posts are here:

Book IBook IIBook IIIBonus TriviaBook V, first Book VI

6. Afterlife Kids

There are many, many references to death, mourning and the afterlife in the world of Cerulean—ghosts, mummies, a coffin, the golden tabernacle boxes. I wanted to create a new vision of the afterlife for this story. So I had my own long, strange journey into the underworld alongside Kate. I read every book I could get my hands on that has some sort of afterlife trip, (e.g., What Dreams May Come, Lincoln in the Bardo, The Lovely Bones, Everlost, Before I Fall) watched every movie (e.g., again, What Dreams May Come and The Lovely Bones, Defend Your Life, Beetlejuice, Book of Life, Coco, Chances Are), and many, many more. I already mentioned Over the Garden Wall, which I developed a minor obsession with. I did a month-long ritual to summon Anubis and put myself in a trance. (Seriously.) I even tried DMT, but that shit is harsh and it’s hard to take a proper hit. My visions of the afterlife kept taking me to a large, rambling house with many stairs and many doors. It took me to my family members who have passed on. I felt like the message was—you go home, you go back to the beginning. I also had a very scary vision similar to what Kate experienced with the little girl—like I was dying and giving birth and being born all at once, so that’s why it made its way into the story.  

What Dreams May Come (1998)

In this book, the dead come back to haunt a lot of people—literally and figuratively. What we now call the Egyptian Book of the Dead (Egyptian funerary texts) is actually translated as The Book of Coming Forth by Day, or The Book of Going Forth by Day, hence the title of this book, Going Forth by Day.

Joan, Kate and Alyssa all make underworld journeys. Joan goes in the flesh, intending to destroy death from within, and thereby make herself into a goddess. In heroes’ journey narratives, there is always a descent into the underworld. Kate follows Joan in order to stop her. Alyssa’s Terminus Revelation comes true, and she dies long enough to see what her afterlife will look like. When she is revived, her final prophecy is inspired by Egyptian funerary texts, specifically The Papyrus of Ani.

Detail from the Papyrus of Hunefer, 1275 BCE - the weighing of the heart

Also, in the afterlife, Kate finds the little girl living in a sod house—again, I wanted to give the afterlife a distinctly American flavor. In addition to the Book of the Dead, there are also the Egyptian Coffin Texts, a collection of funerary spells. Spell #1080 is called “The Sealed Thing”:

This is the sealed thing which is in darkness, with fire about it, which contains the efflux of Osiris, and it was put in Rostau. It has been hidden there since it fell from him, and it is what came down from him onto the desert sand; it means what belongs to him was put in Rostau… This is the word which is in darkness. As for any spirit who knows it, he will live among the living. Fire is about it, which contains the efflux of Osiris. As for any man who shall know it, he shall never perish there, since he knows what shall be in Rostau. Rostau is hidden since he fell there… Rostau is another name for Osiris. As for any man who is there, he will see Osiris every day, his breath will be in his nose, and he will never die…

Rostau means “mouth of the passages” according to one source, “gateway to the Duat,” according to another. Rostau is a door, in other words. It is the abode of Osiris, who was dismembered. The Duat, the realm of Osiris, is underground—hence, the sod house. There are wildfires burning on the horizon when Kate finds it, a hidden place. And the little girl in the well had been dismembered, like Osiris. Kate discovers her “efflux.” Kate, who, as far as we know, is immortal and indestructible.  


 
7. Angels & Demons

Mosaic at St. John's Church, Warminster

Uriel
– Uriel is the angel of repentance. No wonder Michael feels compelled to recount his life story, including his sins, to Uriel. Uriel “stands at the Gate of Eden with a fiery sword.” He is the angel who “watches over thunder and terror.” He is often described as being as pitiless as a demon. Also, I never thought of a graceful way to point this out in the book (since Michael is gone by the time we see Uriel), but the hologram of the angel that Alyssa and Millie encounter is modeled after Michael’s real father, Stephen. I imagine Michael did that deliberately, to remind himself of his own shortcomings. He’s really very Catholic for someone who wasn’t actually raised in the faith.

Michael himself – In the Book V trivia post, I talk about the door to Michael’s home with the image of St. Michael the Archangel weighing souls in the scales of justice. The door illustrates St. Michael’s role on Judgment Day, when he will oversee death and escort the souls of the deceased to heaven. If you’ve read the sixth and final book, you know how that works out for Michael Anglicus. Notice, when Michael performs a ritual to break Alyssa free of Joan, he conjures his circle in the name of the archangels, including his own namesake.

Ushabti of the Pharaoh Seti I (reigned from 1306-1290 BCE)

Sarosh, Lokni, Amenti and the Answerers – Sarosh was the strongest of Joan’s familiar spirits. His name is from Avestan, and may mean any of the following: obedience, hearkening, observer, or conscience. This language was used at the inception of Zoroastrianism. I wanted to give him a name that was quite ancient—considering he first latches onto Joan when she’s an infant in the 9th century, his name (and he) had to be pretty old.

In this book, we see why Sarosh is no longer in Joan’s service. But since he’d been with her for hundreds of years, he had been shaped by her will and her perceptions, and several characters remark on how much Sarosh looks like Michael. Given the nature of Joan and Sarosh’s relationship—ewwwwww. No wonder everybody suspects some creepy incest going on between Joan and her son.

Lokni and Amenti were also among Joan’s familiar spirits at the beginning of her long life. Lokni is a Miwok (Native American) name meaning, “rain falls through the roof.” That name is a bit of foreshadowing what fate awaits the psychic, Pham Suong, who was involved in banishing (re: destroying) Joan’s familiars. Amenti is Egyptian, and it means the “hidden place/land.” I thought this would be good foreshadowing for the Rostau, the hidden thing Joan has been searching for all these centuries that has eluded her (that’s what she needs the Oracles for).

In the afterlife, Sarosh explains to Kate that he and the other animal-headed creatures are called ushabti, or “answerers.” In Egyptian funerary art, ushabtis are small carved figurines placed in a tomb with a mummy. They usually have inscriptions from the Book of the Dead. They represent servants expected to perform labor in the land of the dead. Hence, we see them serving as guides, bus drivers, hotel laundresses, elevator operators, etc. I didn’t spell it out in the book, but I imagine the answerers are free to go back and forth to the material plane as they like, and some, like Sarosh, like it so much, they sort of abandon their posts. They are part familiars, part guardian angels, part enablers. It was healthy for Sarosh to go back to his home dimension at the end, so hopefully he takes a good, long rest before returning to Earth—if he ever returns.


Ferthur
– the demon summoned by Scevola to get him and his minions out of Cerulean before the whole place collapses. The way I describe Ferthur is pretty much how I’ve read him described in demonology—he’s a demon from one of the legions of Hell and appears as a winged stag or an angel. His name is also spelled Furfur or Furtur and means "scoundrel." He is listed in the Lesser Key of Solomon, and can be summoned with the right sigils and rituals. It pleases me to imagine Starry Wisdom scumbags being in his debt. I’m sure he will exact an interesting fee. 


8. Thank Heaven for Little Girls

So, the long joke for the series has been, despite the name of the books and the organization, the Order of the Four Sons, it’s actually four women who save the universe—Kate, Alyssa, Emily and Leto. I think an argument could be made for Millie as a fifth hero—the fifth, hidden moon, if you will. (Coyote and I are feminists—in case there’s any doubt after Corbenic.) Millie has two daughters. Millie is Michael’s descendant, and their relationship is very familial.

Daughters in this story are important, as are mothers. Joan is the Matriarch, and her pet Oracles call her “mother.” In the end, Kate goes home to her mother. In Book V, when the Oracles have their collective vision, they cry out, “Mother, Madame, Mistress, Matriarch.” Leto is a young girl yearning for a father figure, as was Katarina. Bathory has a weird mother/lover relationship with both of them. In the end, Vickers’s girlfriend is pregnant, and it will be a daughter. Alyssa is also pregnant with a daughter, plus they adopt Janus’ daughter, Arabelle. Christophe and Madeline have a newborn daughter, Angelique.  

In the afterlife, Kate sees the ghost of a young girl in the road, then finds her body in the well. When she has her vision and figures out who she is and what she has to do, she becomes the little girl. I don’t spell it out in the book, but the little girl is the ghost of Irene Avery, and possibly God, or at least a god. Kate merges with her past and the divine to become the protector the universe needs.

 

9. Dystopia


We mentioned that Cerulean has 26-hour days, which means that noon and midnight for them falls at 13:00. “It was a bright cold day in April, and the clocks were striking thirteen,” is the iconic opening line of
1984. A little shout-out to that landmark dystopian work. When Joan performs the rite on Alyssa, the clocks are striking thirteen-- midnight. 


Motifs and Symbolism

Bunnies – In the afterlife, at the masquerade ball, Jess, (one of the little girls from Book I), is dressed in a bunny costume. Later, Kate transforms into a bunny while hopping through the cosmic forest.

Photo by Filipe Delgado

Water – Almost too many scenes to mention. Michael ends up in a pool before he dies. The river that he and Joan restored when they restored the rest of the planet. Kate crosses a river to the afterlife. The afterlife floods. The Catfish puts in another appearance. Kate finds the little girl in the well, then bathes her body. The spirit of the little girl gives her a dipperful of water. Joan bathes Alyssa before doing her awful rite. Alyssa drinks water from the Omphalos for her ritual with Leo, and Madeline bathes her. Joan bathes Michael’s body before she unleashes Isfet. In the afterlife, Joan is unable to drink the water—it’s a common theme to have food and water forbidden to outsiders in the underworld, or in fairy realms. If you eat or drink, you are trapped there forever. I’m sure there’s more, but you get the idea.

Trees – As mentioned above, this book includes a yew and a hazelnut tree, as well as the plum trees from Suong’s prophetic dreams. There’s an entire cosmic forest in the afterlife, where we learn that, yes, Solomon apparently carved the staff from the Heartwood, the oldest tree in the forest. It’s also where the animals retreat to after the masquerade. When Carcosa is saved, a tree appears in the chamber where the Hormiga beastie once resided. Leto hides the used antidote casing in a copse of evergreens. Among the Tarwejan artifacts are a lot of clay Trees of Life. Alyssa sees Clayton under a tulip tree. When Dion dies, I describe his electrical burn wounds like tree branches. “Tarweja” is Sumerian for tree. (I modeled the Tarwejan people/culture after the Indus Valley civilization.)

Sri Yantra – it wasn’t actually mentioned in this book, but there is a scene in the throne room at Four Mothers, and there is a Sri Yantra in its floor. Throughout the series, it’s always signaled safety, and Four Mothers is definitely a safe harbor by the end.  

Phoenix - Alyssa’s new house symbol, courtesy of Leo. The symbol of Atymnius, the first Sarpedonne’s inspirer.

Minotaur – There’s a minotaur-shaped topiary in the Order construct. In the afterlife, at the rodeo show, Kate sees a mock bullfight with a minotaur.

Pomegranates – Kate sees a pomegranate tree in the cosmic forest.

Photo by Badulescu Badulescu


Colors

White – this and gray are Joan’s colors. She’s always in white until the end, when she kills Michael, and her dress turns black. Sarosh, in his spirit form, is white. Nathan DePriest is an albino.

Blue – the color of the Eerin’s eyes and their magic, Cerulean’s sky and the afterlife’s sky. Kate’s magic has always been blue, so when she and Sarosh team up, he starts manifesting with blue hues.

Gold – Joan, Michael and Sarosh are all golden-haired; Sarosh’s tie; the tabernacles; ley lines are always gold.

Black – Akhenaton always manifests as a black, shadowy entity, so as It begins to totally take over Bill’s body, Bill also begins to turn black; Joan’s dress turns black after she kills Michael; the moons of Carcosa are black; DePriest’s wand is black; when the TAV system goes down, Cerulean experiences a worldwide blackout; the demon Ferthur has black hair and black wings. When Joan invokes Isfet, the sky goes black. Anubis, the hotel concierge, is a black jackal. The masquerade invitation is black. Kate’s evening gown is mostly black. When Alyssa and Leo do their conjunction rite, she and Leo are wearing silver and gold robes, but everyone else is in black. They are bound with black cord. Kate becomes an army of black ants. 

 

Names

Ryan Murphy – We wanted Murphy to have a classic Irish cop name. Ryan is Irish for “little king.” It takes a king to defeat a king. Murphy is a common Irish name and in this part of the Midwest, a lot of people are of Irish descent.

Leto Souris – Leto is the name of a Greek goddess, mother to Apollo and Artemis. Her name is thought to mean “the hidden one.” As a baby, Leto was taken from her mother and effectively hidden from her. It can also mean “wife.” Leto may eventually be someone’s wife, (I doubt that person will be a man), but marital status, motherhood and conception all play a big role in our Leto’s life. In mythology, when a giant named Tityus tried to rape Leto, she was rescued by her children. Leto’s mother was raped, which is how Leto was born. I like to think Leto saved Susan’s peace of mind, and she becomes a hero in general. Souris, as I mentioned above, is French for “mouse,” so when Leto is allowed to choose her own surname, she chooses Souris. As a little girl, her street sisters and johns would call her “mouse” because she looked a bit mousy. Murphy carves a little toy mouse for her. Also, I have always loved how Leto, someone small and poor and seemingly powerless, becomes such a major player in this story. I think it is entirely fitting that Elizabeth Bathory and Nathan DePriest are done in by a fifteen-year-old ex-streetwalker.


My next O4S post will be the Book VI playlist, which is probably my favorite playlist of the series. Thank you for reading, and, as always, please feel free to leave comments below, or shoot me a message. 

Friday, September 17, 2021

O4S Trivia: Book VI

Well, O4S fans, here we are, trivia for the final book of the series, Going Forth by Day (The Order of the Four Sons, Book VI). I’m going to have to break this post into two parts because I kept thinking of good tidbits to share. I’ll post the second one next week.  

If you’re reading this, I hope you’ve read the books, and that these posts have enhanced your enjoyment of them. I used to think that we’d never be able to top Books III/IV, and while Corbenic is still my favorite place, damn if I’m not proud of how Books V-VI turned out.  

So while I sit over here stewing in sentimentality, I’ll let you get to it.  

If you haven't already read them, the previous trivia posts are here:

Book I, Book II, Book III, Bonus Trivia, Book V


Warning: SPOILERS AHEAD. 

1. Animal Imagery

Some people have asked me if BoJack Horseman was the inspiration for the animal-headed creatures in Kate’s afterlife journey. No, I actually hadn’t watched BoJack while I was working on this book. It was partially inspired by the mushroom trip back in Book II (the diner, the minotaur and all the other strange creatures Kate sees in her hallucination). The rest came from the TV series, Over the Garden Wall. 

Over the Garden Wall, Chapter 3, "Schooltown Follies" 

One of the things I liked most about Over the Garden Wall was that it had all the trappings of fairy tales, but was firmly rooted in Americana. Most of the creatures Kate encounters in the afterlife are American animals—buffalo, armadillo, turkey, etc. She sees the Catfish again, (one of the creatures from her mushroom trip), driving a bus. Sarosh is a barn owl. The only exceptions to the American animals are the hotel creatures – Anubis (the jackal-headed concierge), Horace (the hawk elevator operator) the crocodiles, baboons and a hippopotamus – those are all animals from Egyptian mythos. They all work at the hotel. Also, when humans turn into their animal spirits, those aren’t necessarily American. (David Morgan becomes an elephant, living up to his middle name, Ganesh.) 

Another place where animals are featured prominently is Cerulean—or, more accurately, Tarweja, the culture that was there before Joan and Michael came. The Tarwejans were shamanistic. Michael shows Alyssa what happened to them. While there, she sees the immense statues of a male and female figure guarding the city gates, their robes covered with images of animals. In the museum Michael has kept, she sees many representations of a Tree of Life, covered with animals.  

Suong Pham, the Starry Wisdom psychic, is a natural witch who bonded closely with many animal companions in Vietnam. When she meets Joan, Joan also has a knack for enchanting wild creatures.  

Leto has a toy mouse that Murphy carved for her, and later takes the name, Sir Mouse.  

JD, as a cowboy/rancher, cares for livestock at his Cerulean home.  

In Kate’s final confrontation with Joan, she turns into a hawk and a lion. I chose those animals, not just because they’re fierce, but because they are associated with the gospel writers, John and Mark, respectively. I thought Christian imagery made sense with anything regarding Joan.   

2. Bird is the Word

To continue from the previous item-- birds, in particular, have been a recurring image in the series. Millicent Kincaid’s younger daughter, Phoebe, has a stuffed owl named Mrs. Lew. I chose that name because Lleu Llaw Gyffes is a hero in Welsh mythology. The name Lleu is derived from Proto-Celtic Lugus, the exact meaning of which is still up for debate. It can mean, variously: light, pale yellow, darkness, swamp, oath, deceive, lynx, shining eyes, to mourn, or to break (as in, break the heart). I like that it has so many possible meanings, though I was thinking about how Cerulean is a place of ghosts and death, so the idea of a name that means “to mourn” seemed fitting. In one story, Lleu turns into an eagle and flies away. In that story, he also turns his wife, Blodeuwedd, into an owl for betraying him.  

The Eerin – As mentioned in previous trivia posts, the word eerin is an Australian Aboriginal word that means “small gray owl,” fitting for nocturnal, subterranean creatures. Their home is Canungra, which means, “place of owls.” At the end, they are transformed into a flock of birds and fly away, significant because Carcosa had lost all of its birds in the catastrophe that made it the barren wasteland that it is.  

Bathory gives Leto a white dove as a pet. When Leto gets Bathory drunk, Bathory sings a Hungarian folksong called Madàrka, which means “little bird.”  

Kate’s real surname, Avery, means “bird.”  



Sarosh’s real form is that of a barn owl. Owls are regarded as psychopomps in many traditions, so of course, he is her spirit guide to the afterlife. At the afterlife hotel, there are the hawk-headed hotel workers, which represent Horus. Kate and David dance to Charlie "Bird" Parker's music. Kate wears a hawk mask for the masquerade, and turns into a hawk later when she confronts Joan.  

In Corbenic, the symbol of the empire is an ibis, which is associated with wisdom, Egypt, Thoth and the Emerald Tablets. Corbenic’s most valuable piece of currency, a silver piece, has an image of the ibis on it, hence they call those coins “birds.” 

At the end, Leopold creates a crest for Alyssa—a phoenix, which is also the design on her wedding dress. Alyssa is also given a gift of 1,000 origami cranes from her fellow Oracles, symbol of long life. The crane is thought to live 1,000 years in Japanese folklore. Also, 1,000 cranes mean the recipient gets a special wish granted. While she never says exactly what her wish is, I think we can safely assume it came true. Clayton was Jack’s 1000th kill, and the Order says, “May he/she have a thousand,” when they die, to say may they have a thousand of all good things.   

3. Prophecies

In all the books, the Oracles’ prophecies usually mean something, even when they sound like nonsense. It’s usually highly figurative language, but no less correct. In this book, for example, there is the following scene:

 

“What worth, the son?” Beth whispered.

“Sun or son?” Joan asked.

“Four sons and a fifth. But they are no one’s sons, son of no one, son of a bitch. A fifth. Whiskey. A flask. Pour one out for the departed. Keep one in. The world’s on me.”

“The fifth is a moon,” another Oracle, named Camille, said. “The fifth moon, the hidden face.”

Gwen began to sing, “If I were hanged on the highest hill, mother o’mine, O mother o’mine, I know whose love would follow me still!”

“Come to my arms, my beamish boy,” Margaret put in.

“Mother, mother,” the others chanted. “Mother, mother.”

“The moon and the yew tree,” Fannie said. “Lions and lambs. The plum and the hazel drop their fruit and stones. The moon is a door. The moon is my mother. She is not sweet. Her dress is made of owls and bats.”


“What worth, the son?” refers to Joan sacrificing Michael—the worth of her son, her own blood, is immense. It’s a cost she has to be willing to pay.  

“Four sons and a fifth. But they are no one’s sons, son of no one, son of a bitch. A fifth. Whiskey. A flask. Pour one out for the departed. Keep one in. The world’s on me.” There are several references embedded in this bit of dialogue. Four sons obviously refers to the Order, and the fifth—throughout the series, five is a number of instability and bad luck. Hence, the next Oracle talks about the fifth moon, which refers to Carcosa. The hidden face is Akhenaton, disguised as someone the team knows and trusts. The fifth also refers to a fifth of alcohol. Murphy ultimately traps Akhenaton in his whiskey flask. “Son of no one,” refers to Akhenaton himself, who told Bill, “I am no one’s son.” “Son of a bitch” is Michael. “Pour one out for the departed/Keep one in” refers Murphy emptying his flask in order to put Akhenaton in it, and refers to the immense loss of human life that will occur before this book is over. “The world’s on me” was mean to be like “This one’s on me,” like buying a round. It refers to our heroes saving the universe. 

“If I were hanged on the highest hill, mother o’mine, O mother o’mine…” Another reference to Joan selling Michael out. “Mother o’Mine” is a poem by Rudyard Kipling, which nicely captures Michael and Joan’s fucked up relationship.  

“Come to my arms, my beamish boy” is from the Lewis Carroll poem, “The Jabberwocky,” after “my son” slays the Jabberwock. This refers to our heroes fighting monsters in general and living to celebrate after.  

“The moon and the yew tree,” Fannie said. “Lions and lambs. The plum and the hazel drop their fruit and stones. The moon is a door. The moon is my mother. She is not sweet. Her dress is made of owls and bats.” – Another quote that has many layers of meaning. The yew tree was sacred to Druids. Michael’s father was a Druid, and Joan liked to sit beneath a yew tree back in Scotland because it reminded her of her lost love. Lions and lambs refer to the Christian idea of enemies lying down together, coming to some sort of truce, like Michael and Alyssa, Bill and Akhenaton, Joan and Kate, or Leto and Bathory. “The plum and the hazel drop their fruit and stones” – the plum stands for Suong, who always dreamt of a plum tree in connection with the love of her life, Joan. In Celtic mythology, it is believed there is a hazel tree that stands at the world’s end. It drops its nuts into a sacred well where it is eaten by the salmon of wisdom. If you eat either the nuts or the fish, you gain prophetic abilities. Joan essentially takes a bite out of Alyssa, trying to gain psychic powers. Also, the idea of a tree at the border between worlds is appropriate. “The moon is a door. The moon is my mother. She is not sweet” – refers to Joan, being a false light in the darkness, a doorway to death. “Her dress is made of owls and bats.” This line, and indeed, the whole bit of dialogue, moons, owls, bats and a woman’s dress, comes from the Sylvia Plath poem, “The Moon and the Yew Tree.” The dress of owls and bats can refer to the Tarwejan shamanistic/goddess figure, whose robe is covered with images of animals. It can also refer to Joan again—owls and bats are psychopomps, guides to the underworld. And owls, as I’ve already mentioned, appear several times throughout the series.   

4. Clayton


Allan Arbus as Sidney Freedman

Maybe this is random, but I realized I’d never put in any of the previous trivia posts that Clayton’s character was heavily inspired by Sidney Freedman in MASH-- a compassionate Jewish psychologist. I hear Sidney’s voice for Clayton’s dialogue, especially my favorite line, which actually showed up in Book V, “Plan? There was a plan? Typically, a plan involves foresight and organization. I must’ve missed that part of your process.”  

5. The Obligatory References  

Excelsior Springs – the afterlife town Kate goes to, which looks just like Excelsior Springs, is simply called Excelsior, which means “higher.” I think it’s natural for a westerner like me to think of the afterlife/heaven as a higher plane of existence. I also couldn’t resist tossing in the “onwards and upwards” motto for the town, a nod to Stan Lee.  


Robert Redford as Jay Gatsby, The Great Gatsby (1974)

Excelsior’s fashions and technology are from the 1920s/30s. I thought the afterlife must be at least a little behind the times. Everyone that’s there has left Earth, some quite a while ago, so they don't know what the current trends are. Also, the real Excelsior Springs in Missouri has an annual festival called Gatsby Days, in which people dress up in 1920s fashion to commemorate the last of the town’s heyday. I also have Sarosh appear in a suit inspired by The Great Gatsby, which I made one of Kate’s favorite books/movies. (Kate would obviously be a Fitzgerald fan.) The real town also has railroad tracks (that used to run to Chicago), and I like the idea of a train running through the afterlife, taking people to different destinations.  

Another aspect of the afterlife was this whole idea of going back to our beginnings – for Kate, her journey really began in Excelsior. For Alyssa, it was the Order’s construct. For Joan, it was Scotland. Everyone seeks their roots, returns to what is familiar, for good or ill. And the story ends with Kate returning to her parents’ home in New York.  

Kansas City - I always tip my hat to my hometown. Murphy mentions working in Cowtown, and at the afterlife ball, there's music by Charlie Parker, who was born in KCK. 

Jesse James – no need to put a song in this book because—hey there, Frank and Jesse! They make an actual cameo this time, along with their partner in monster fighting, Jonas Whitefeather.  

Stephen King – It’s subtle this time, but when Kate uses the staff segment to go after Joan, this is what she experiences:  

A portal opened and it pulled her through. It may have pulled her through several portals, it was kinda hard to tell. It was like being sucked through a pneumatic tube. Her breath was ripped from her body. She was bombarded by a series of radically different temperatures and pressures, flashing lights and yawning darkness, noise upon noise, whistles, roars, an underlying vibration like the chime of some dreadful bell, dissonant, relentless, harrowing.  

The chime Kate hears was inspired by the Todash chimes in Stephen King’s Dark Tower series. Todash is the space between universes, and I think it’s very likely that Kate travels through that. It’s appropriate that Kate hears a bell-like sound, since we have referenced bells elsewhere, including her singing bowl.  


The Deadlights as depicted in It: Chapter 2 (2019)

Another King reference is when Akhenaton (in Bill’s body) summons Alyssa’s spirit back from the dead. She sees Akhenaton’s strange blue eyes as “eldritch blue lights.” It’s tenuous, but I was actually thinking of the Deadlights, which also appear in the Dark Tower books, as well as It.


This is the first half of the Book VI trivia. I will put up the rest next week. Thank you for reading, and always feel free to hit me up with questions!