Now Elena is real pretty. She’s Grandma Tata’s
favorite. Elena’s grandfather was from Mexico City and handsome like a movie
star. He had French and Spanish blood, and was Grandma Tata’s second husband.
She keeps a framed picture of him on the wall. He was very white, with brown
hair. The way she sighs when she looks at that picture, I don’t know why they
got divorced. Elena looks just like him, with her delicate bones, soft chestnut
hair, and skin so white she seems to glow.
Nobody had to tell Elena and me—we always knew we
had a strange family. And not just because of Grandma Tata either.
We all live on the West Side, at the top of a big
hill. Grandma Tata says this is because when she was born here, Great-Great
Grandma Jovita buried the afterbirth in the garden, so our blood is bound to
the soil. Grandma Tata lives in the tiniest house, a little shotgun shack. Next
door to her, is Great-Grandma Nimfa. We live across the street, and Elena and
her mom live on the corner. My two uncles live in the neighborhood too, one on
Jarboe Street, and the other on Mercier.
See, ours was one of the first Mexican families to
come to the West Side, back in 1918. Great-Great Grandma Jovita came here with
her sister, Rosaura. They were the ones that raised Grandma Tata. They were
witches and read fortunes for money. Then, once they got the house built – the
house that Great-Grandma Nimfa lives in now – they planted a big garden. It’s
hard to imagine now, but back then, the West Side was more like farmland, with
people growing corn, and keeping chickens and cows and even pigs. A lot of
people worked down in the Bottoms, in the stockyards, where they could buy
their animals. My mom says the whistles in the Bottoms still blew until just a
few years ago signaling the beginning and the end of the workday for the
workers, and the cement staircases that were built into the sides of the hill
so people could walk down to the yards and the meat-packing plants are still
there, though now they’re covered in spray paint and chalk graffiti: Aztec art,
skulls, the West Side Kings.
After they’d been here a few years, Jovita and
Rosaura grew an arbor of grapes to make homemade wine. They also brewed beer
and bathtub gin. The hidden places are still there in Grandma Nimfa’s house, in
the cupboards and closets, where they used to hide the bottles.
My parents’ house is like that, too, only our
family didn’t live there back then. It used to be a store. You can tell by how
the roof isn’t like the roof on a normal house—it’s just squared off and tarred
on top instead of shingled. And instead of just secret compartments, it has
secret rooms—three of them. There’s one in the closet in my brothers’
room, one in the closet in the hallway, and then there’s one big room hidden in
the hallway outside my parents’ bedroom—there’s woodwork along the wall, so if
you know where to slip your fingers, the whole wall just slides back on a
track, like a patio door.
We don’t keep anything in those rooms now. Elena
and I looked in the room behind the hall closet once. We didn’t go inside. I
don’t know why, but those hidden rooms always seemed scary. It was just a bare
linoleum floor, and an old plaster light fixture in the ceiling, and the air
was stale.
The last time my dad got arrested, he hid in one of
those rooms.
It was two summers ago, and very hot. The police
came early—they liked to come early because they knew my dad would still be
sleeping off the bender from the night before. They knew the patterns of
Esteban Morales as well as if they lived in the house with us: for a few weeks
or even a month after my dad would get out of prison, he’d be fine. He’d find a
job and work on the house, all the time yelling about how he’d changed and
things were going to be different now because he’d gotten clean in prison.
And he’d be an early riser.
As soon as he stopped being an early riser, that’s
when you knew. And the police knew it too. They’d watch our house when he was
home, just waiting for him to screw up.
So the cops banged on the door early that morning.
I crept down the hallway to listen to them talking to my mom through the screen
door.
“—didn’t come home last night,” I heard her say.
“We saw him come home last night, Mrs.
Morales,” one of them said.
The front door opened and shut. They were in the
house.
Then I heard a soft noise that made me jump. The
closet door was open a bit and I saw my dad. He’d moved the panel back just
enough so I could see a bit of his face, and he put his finger to his lips. He
pointed at the hamper. I nodded, and he moved back and replaced the panel, so
you couldn’t even tell he was there. I dumped the hamper out on the floor of
the closet. Then I went downstairs.
There were two cops in the living room. My mother
stood with Veronica on her hip and wouldn’t look at them. “All I know is, I
ain’t seen him.”
“Why do you cover up for him?” the officer asked.
He walked around, looking at the empty shelf, the worn-out couch. “I mean,
where’s your TV, huh? I bet he already hocked it for coke, didn’t he? What else
has he stolen from you and your kids?”
The other cop glanced down at me. For a
heart-stopping moment, our eyes met and I thought maybe they were going ask me
questions, too. But they didn’t.
Instead, they let my mom go upstairs and wake up
Alex and Christian, and the five of us waited downstairs while the police
searched the house, looking for my father. But they didn’t find him—just a pile
of dirty towels.
As soon as they left, I ran out the door, in my
bare feet and pajamas, to Elena’s house.
Elena’s mom, Aunt Tere, was getting ready for work.
She found me a change of clothes and a pair of chanclas and sent Elena and me
to take Marcos down to Grandma Nimfa’s. Grandma Nimfa took care of Marcos while
Aunt Tere was at work. She took care of Elena and me too, but we mostly played
outside.
When we came in, she was cooking breakfast. The
usual: eggs, bacon, fried potatoes, chili and tortillas. Enough for her,
Marcos, Aunt Tere, Grandma Tata, my mom, my brothers, and anybody else who
might wander in. The screen door at Grandma Nimfa’s banged open and shut all
day long, with Grandma hollering at everybody to keep the goddamn gate closed.
After we ate, Elena and I went riding our bikes. We
were allowed to go around the block, but we weren’t supposed to go further than
that—so of course, we went all over, explored everything. We went down to
Southwest Boulevard, up Kansas Avenue to Argentine. We were friends with the
Peregrino kids who lived down in the West Bluff projects off 23rd who
would usually come ride with us a while, maybe play some kickball over at
Observation Park. We’d go up 17th. The roads were built narrow
around them old neighborhoods because streetcars used to come through there.
The houses leaned in close to one another. In some places, there were just
foundations where fires had taken out whole rows, leaving nothing but the
basement and crumbling stone stairs leading up to nowhere, grown over with
weeds and tall grass. The old Switzer school stood empty along West Pennway,
its windows boarded up. My dad went there when he was a kid, but not Elena’s
mom—Elena’s mom got a scholarship to a girl’s Catholic school over in Brookside.
Sometimes, we’d take our bikes up Beardsley Road.
We loved to go up to Crown Center or to the River Market. At the Market, there
was an old fruit vendor who was friends with our Great-Grandpa Jose who would
give us free pears and fistfuls of cherries we carried bunched in our shirts,
shedding stems and pits as we ate them, getting our hands all sticky. But our
favorite place to explore was the West Bottoms-- the trains and the railroad
tracks, the old buildings, the riverside.
That day, Elena and I coasted our bikes down the
hill on Holly Street to Beardsley, always shady even on the sunniest days, the
steep limestone bluff rising along one side, spotted with trees and brush
until, dozens of feet above our heads, the highway straddled the barrio, I-70 and
I-35 branching out into Kansas. But we didn’t even hear the buzz of the
traffic—we’d lived with the noise in our ears our whole lives, like the rap and
Mexican music blaring from drug dealers’ boomboxes.
It was starting to get late. The sun was setting behind
the smokestacks, and the grind of the cicadas drowned out even the cars rushing
by on the overpass. The place where the Missouri and Kansas Rivers met, usually
brown, reflected the sunset colors, firework colors, candy colors, red, pink,
orange, yellow. As usual, Elena rode a little bit ahead of me, her brown
ponytail bouncing against her shoulder blades. Being two years older, she was
always taller and sturdier. I’d always be skinny. Even when Dad wasn’t around,
my mom wasn’t much of a cook. If we got fed, it was because of Grandma Nimfa
and Aunt Tere.
I remember Elena was wearing a white Mexican
blouse, very bright in the dim light. I remember it had red and purple
embroidery around the collar. The other girls in the neighborhood made fun of
her when she wore things like that, made fun of her for being so white. But
they were just jealous because she was pretty and spoke better Spanish than
anybody.
Elena turned off Beardsley to go into the Bottoms.
It was under the 12th Street Bridge that
we saw her.
We’d heard the stories all our lives. Not just from
other kids, either. Grownups swore up and down that they’d seen her—La
Tutayegua, the old folks whispered. The Horse Lady.
Some said she was a girl who loved horses. One day,
while she was out riding, she and her horse were swept away in a flash flood.
Others said she worked with her family in the stockyards, rounding up horses
for auction, and got trampled to death. Either way, now she haunts the
riverbend and the Bottoms with the body of a young girl and the head of a mare.
People even say they’d seen her on the steep staircases that zigzag crazily up
and down the hillside.
We’d gotten off our bikes to walk them along under the
bridge and there she was-- in the shadows, back along the side of the bluff,
staring at us.
Her head was black, blacker than the shadows around
her, blacker than anything you can imagine, with a long, slender muzzle and a
black mane, her eyes bright red. Even though it was summer, the air around her
seemed cold, so cold I expected us to see steam coming out of her nostrils, but
she was as still as if she’d been painted there. Her body was a woman’s body—or
was it more like a girl’s? She was only about as tall as Elena, thin, wearing a
long, old-fashioned blue dress, so faded it was almost gray. From underneath
it, a pair of heavy hooves peeked out.
When we saw her, we froze, too scared to move.
I don’t know how long we stood there until at last
La Tutayegua lowered her head and took a step back. Her hooves made no sound
against the soft earth as she faded against the wall, the little red flowers on
her dress we hadn’t noticed before standing out against the damp concrete
embankment. The last thing we saw was her red eyes hanging in the air before
they, too, faded out.
Then we turned and ran, not even thinking for
several hundred yards that we ought to get on our bikes. But when we did, we
pedaled harder than we ever had before in our lives.
By the time we got back to our street, we
discovered goose bumps had broken out all over our skin, and we were shaking
all over, even though we were soaked with sweat from the hard ride. The
streetlights were coming on.
We skidded to a halt in front of Grandma Tata’s
house, and sat balanced on our bikes, panting.
What stopped us was the sight of my dad running up
the sidewalk towards us, wild-eyed. A pair of police officers was chasing him.
They’d hidden their car around the corner and waited for him to come out of the
house.
One of the cops tackled him to the ground. My dad
howled as the cop put his knee in his back to handcuff him. He tried to buck
him off. “Get your motherfuckin’ knee out of my motherfuckin’ back, you
motherfucker!”
When he was sure my dad couldn’t move, the cop sat
back, swiping his arm across his brow. Raising his eyes to mine, I saw that it
was the same cop who’d come to the house that morning.
So they took my dad away again. It was always
someplace far away, where we couldn’t go visit—we never had a car, and even if
we did, we wouldn’t have been able to afford the gas to Jefferson City,
Springfield, even Leavenworth.
But it didn’t matter. For a while, things were all
right. My mom was always a good worker. She saved some money, got us a new TV.
Living with Esteban Morales was like living in the path of a storm. You knew
that sooner or later everything was going to get blown to bits. But then he’d
be gone and we’d forget for a while. We’d forget what it was like for him to
wake us up in the middle of the night and send us out to go door to door,
begging the neighbors for money and cigarettes, even in the winter. We would
forget what it was like to have him distract store clerks so we could shoplift
stuff for him. We would forget what it would be like to have the phone shut
off, the lights, water and gas shut off, because he took everything. My
brothers and me, we would forget what it was like to see him go crazy and start
beating on our mom when she had nothing left to give him, the screams and the
tears and the bruises. The holes in the walls, the broken screen door.
Or maybe it wasn’t that we’d forget so much as that
we wouldn’t say anything, because even when he wasn’t home, we’d hide our
stuff, find other places to stay. Alex found the key to the circuit box, which
was on the wall behind the refrigerator in the kitchen. That’s where he hid his
money—birthday money, Christmas money. By the time he was seven, he was going
around the neighborhood with a weed whacker, doing yard work, raking lawns, bagging
leaves.
And worst of all, we’d shrink from police cars,
because we knew that the cops were eyeing us because we were Esteban Morales’
sons.
I would go stay at Elena’s house whenever I could.
Aunt Tere would let me stay, sometimes for days. They’d make me up a place on
the floor next to Elena’s bed. I even had my own toothbrush and changes of
clothes there.
But I would always go back home. Because I had my
mother, and my brothers and my sister.
This past fall, Elena turned eleven. In December,
she got her period. Nobody told me. I just knew. I knew by the way she got up
quietly in the middle of watching cartoons after school and went to the
bathroom. When she came back, her face was different. When I went into the
bathroom after her, I saw the pink wrapper in the trashcan.
Over the next few days, she was very quiet. I saw
her hugging herself when she thought I wasn’t looking.
A few days later, Grandma Tata decided it was time
to give her Jovita’s things.
She took Elena and me into the back room at Grandma
Nimfa’s house. The room had been a bedroom once—and there was still a bed with
a faded green polyester bedspread, mostly buried now with junk, the nightstands
with old gold lamps. Grandma Tata had to stand on a chair to reach the shelf in
the closet, and took down an old wooden box. There was all kinds of strange
stuff inside: a bull’s horn, a railroad spike, stones, shells, charms, bowls,
and something that looked to me like a tiny molcajete, except smooth instead of
grainy. There were also two decks of cards tied with ribbons, one large and one
small.
None of it was for me, of course. I was too young,
and a boy. But later that evening, Elena let me look through the box with her
as we sat in her room. There was a pack of Hostess cupcakes between us.
“What are these?” I asked, picking up the smaller
deck of cards. They all had brightly colored pictures on them, and words in
Spanish. I could read most of them, but not all.
“Lotería cards,” she said, licking chocolate icing
off her fingers. “It’s a game.”
“Can you teach me how to play?”
“Well, there’s no board. And these cards are really
old, see?” she held one up carefully. The edges were soft, creased with age.
“Can they tell my fortune like the other cards?”
“Yeah, I suppose,” she agreed and laid one down
with a bright red figure on it. “The little devil,” she teased. “That’s you,
all right.”
I rolled my eyes at her. “Shut up.”
“All right, all right,” she giggled. Putting the
card back in the deck, she re-shuffled it. Then she began to lay them out for
real. “The ladle,” she said. “The house that has the least. The arrows-- danger
from above. The pear—he that waits, despairs. And the heron—the other side of
the river, my sandy river bank, where sits my heron.”
“What?”
“That’s what it says. See? ‘Al otro lado del río—’”
“Yeah, but what does that mean?”
She shrugged. “I don’t know.” Flipping over another
card, she read, “The hand. La mano del criminal.” For a minute, neither
of us said anything.
“Is that it?”
“No,” she whispered, and drew the last card.
La calvera. The skull.
Swiftly, Elena swept the cards away. “It doesn’t
mean anything, Daniel. They’re not real fortune cards anyway.” She retied the
ribbon around the deck and handed them to me. “Here. You take them.”
I shook my head. “I don’t want ‘em.”
“I think you should have them. Something of
Jovita’s.”
“Nah.” I held up my hands, but still she held them
out.
“We share everything,” she said. “Don’t we?”
So I took them. I looked at them many times—so many
times I probably have all the cards memorized now, with all their little
riddles. La sirena. La sandía. El camarón.
But I couldn’t help but feel sad. I could already
feel her starting to slip away. I was the only one who knew her favorite thing
was a little piece of rose quartz as round and perfect as a marble that she
carried around in her pocket. She was the only one who knew I had once stolen a
library book, Animalia, because I loved the pictures. We used to sit
together and look at it, trying to spot everything that started with D,
everything that started with E. But when Grandma Tata gave her the box of magic
things, she added her piece of rose quartz in with the other stones. And as the
weeks went by, she had less and less time for me. She spent more time with
Grandma Tata, or with Grandma Nimfa, learning to cook and garden and mix up
herbs. And of course, she had her homework. Elena was always a good
student—much better than me.
And then one day, Aunt Tere decided to take Elena
to work with her. Aunt Tere was a secretary during the day, but made extra
money at night cleaning offices. The man who ran the cleaning crews agreed to
let her bring Elena along and would pay her under the table.
That March, I turned nine. And we found out my dad was coming home.
After two years, he would just be there, like
nothing had happened. His hair freshly combed, his shirt pressed, his cowboy
boots spit-shined. This time, he had a new tattoo on his left arm: La Anima
Sola, beautiful even in her chains, brown-haired, bare-armed and white,
surrounded by fire.
Weeks went by and he stayed clean. He got a job
driving a forklift at a warehouse over on the Kansas side somewhere. “Increible,”
Grandma Tata says. “As soon as he hits the streets, that man lands a good job,
a car, and anything else he puts his mind to. He’s got the devil’s own luck.”
And all the while, the police cruised the
neighborhood, watching.
I wasn’t surprised when I came home one afternoon
and found him passed out on the couch in his underwear.
By summer, he’d sold the TV, our bikes, even Alex’s
weed whacker. When my mom got her tax refund, he wanted her to sign the check
over to him. She said no. So he beat her so bad, I thought he was going to kill
her.
So the night that he woke me up and told me I was
going to work with him, I said okay.
We walked over to a house on Jefferson where nobody
was home. We went around the side of the house. He boosted me up so I could
climb in through the window. I was so skinny, it was easy—easy for him to lift
me, easy for me to shimmy through.
When I got inside, of course, it was dark. The
house was nice and cool, air conditioned. I felt my way around until my eyes
adjusted, then I found the back door so I could let him in.
We didn’t turn on any lights. While he went into
the bedroom, I went to the kitchen. I found a package of Chips Ahoy cookies in
the cabinet. Sitting on the countertop, I swung my legs and ate my way through
most of the pack while my dad went through their drawers and closets. I don’t
know how long we were there-- maybe half an hour, maybe a little longer, when a
flash of light illuminated the living room.
Headlights. The people who lived there were home.
“Danny!” my father bellowed. “Danny, get out!”
I jumped up and started to run towards the back
door, but the driveway curved around the side of the house—they’d see us, for
sure. So I turned back towards the window where we’d come in. At least, I
thought it was the window where we’d come in.
I ran headlong into the glass, smashing it. It cut
me all up. But the worst of it was when the broken pane above fell down on me.
And then—what can I tell you about what came next?
I can scarcely remember. I must’ve passed out between the house on Jefferson
and here.
All I know now is, I’m lying here in the dark, on a
dusty floor. The air is very stuffy and stale.
On the other side of the wall, I can hear my
parents fighting. My father doesn’t want to take me to the hospital, even
though I’m all cut open. My mother is screaming at him. The police could be
here any minute and what are they going to tell them? I hear the rustling of
clothes—my father changing his shirt to hide the blood.
My hands are very wet and sticky and I’m afraid to
move them. I think I’m holding my guts in—a thought so scary my body goes stiff
when I think it, and it hurts so much that I can’t even cry, and all I can do
is draw in these shallow little breaths, and it’s like the world gets a little
darker every time my heart beats.
I shut my eyes tight and try not to think about it,
try not to think about my parents fighting, about the police who are coming. I
try not to think of Alex and Christian and Veronica, who must be in their beds,
listening to them fight. Wondering where I am.
I try to think of good things. Grandma Nimfa’s
garden and tortillas. Midnight Mass. Riding my bike. Setting off M-80s in the
park. Pictures in a book. Elena.
As I lay there in the dark, I hear the policemen
knock on the door downstairs, and I realize suddenly that I am no longer hot.
It’s gotten very cold.
I open my eyes. Standing next to me is La
Tutayegua, but this time, her dress—it looks brand new! The cloth is velvety
and dark, with a lacy white collar, the little flowers fresh and red as
strawberries. And her head isn’t black, but chestnut, the mane rich and glossy.
She is looking down at me with soft brown eyes, no taller than Elena.
Suddenly, I don’t hurt anymore, not at all, and I stand
up. I realize we are the same height—when were Elena and I ever the same
height?
Behind her, the wall opens up and I see a beautiful
clear river. On the opposite shore is a sandy bank, and a bird swoops low
overhead that I know must be a heron. I know good things are waiting for me
there. I have but to take her hand and step through the wall.
And I know that the police won’t find this hidden
room—they didn’t in Great-Great Grandma Jovita’s time. They won’t in my
father’s time.
But when my parents slide back the panel, they
won’t find me there either.
All they will find is a little bit of blood, and in
the middle of the floor, three lotería cards: Death, the Lady, and the Heart.
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