Saturday, October 4, 2025

Cover Reveal - A Food Court in Hell

I'm pleased to share the gorgeous cover art by Cory Kirby (who incidentally is also a tattoo artist and has inked my arm). 


A Food Court in Hell is my ninth poetry collection. I think it might also be my weirdest one, which is why Cory's art is just so dang perfect for it. (We call the cover creature the Flamingo Saint.) 

The book will be available in paperback, $15.99 from Amazon on Halloween (Oct. 31, 2025). 

If you would prefer to buy from me directly, I will share when I have copies available. I can take PayPal or Venmo, domestic mail only. 

Cory will also have copies at her tattoo shop, so if you're in Kansas City, stop in at Pegasus Tattooing & Arts! I will share when she has them available. 


SYNOPSIS

A Food Court in Hell contains poems for the slow-motion apocalypse. With the stars as not-so-silent witnesses, awareness and resignation vie with hope, rumination, and celebration. These poems are a letter to the universe, a reminder that this world is worth saving. Herein, mythology and fairy tales, art and artifacts, natural and manmade wonders, pop culture and mysticism all converge, on the teetering edge of the dying American empire.


SAMPLE POEM (I am choosing one of the stranger ones so you know what you're in for.)

Semantics
a collage poem

1. Traduttore, traditore 

An inveterate read/write learner, I crave text. A misophonia sufferer, I am particular about what vibrations I want rattling my cochlea. I know I am not alone in finding actors’ voices drowned out by all those shoot-em-up bangs, booms, throbbing subwoofers, and other cinematic onomatopoeia generators. Truly, the art of close captioning is underrated, whole epics wrangled into brackets and footnotes: 

Human sounds [machine-gun-fire-like laughter] [urinating forcefully] [loudly implied cannibalism] 

Music [tense, percussive] [unsettling, atonal] [dire synth notes] 

Ambient noise [cellphone bloops] [demonic mumbling] [audio warbles disconcertingly] 

Descriptions that, themselves, defy description [Intensity intensifies] [Spock sobbing mathematically] 

Text translation fails [These symbols mean stuff in Japanese] 

Malapropisms and mondegreens that you hope are the fault of poor speech-to-text programs: 

Read Off the Rent Those Reindeer 
I did my job with a plum 
Firefighters deal with people ejaculating 

Sound fidelity implies faithfulness, but we all know the distance between what is spoken and what is heard, between what is meant and what is taken, between access and accessibility, between prayer and wishful thinking.

2. How to Lose Your Accent

In kindergarten, I pretended I didn’t know how to read yet. I pretended to struggle with phonics and sounding out words on the blackboard so I could be like everyone else. In high school Spanish, I deliberately flattened my accent. Same reason. Now, that accent is gone, as is most of the language that I grew up with. In every music class and at every mass, I sang as softly as possible. Now, I can only sing goofy, a warbling falsetto parodying corny power ballads that I still secretly love. In the days when I was beautiful, I hid myself beneath baggy clothes and unkempt hair. Now, I look back at the strewn wreckage of all I have crushed out of myself, afraid to be seen, afraid to be heard, afraid to be.

3. Message Deleted

One morning, I got to the office to find five voicemail messages had been left on my phone. All left after midnight, all from the same man, all in a language I didn’t understand or even recognize, a voice that seemed to float from out of the aether, crossed wires from another time, another place, another realm altogether. Back in those days, caller ID didn’t log calls, so I couldn’t see their phone number. I had no way to call them back to see if we had a language in common. I listened to the messages several times, trying to pick out a phrase or a name, part of me wondering if I was really here in my cubicle after all, or if I was still asleep, having one of those dreams where someone is telling me something very urgent and important that I know I won’t remember after I wake up. 

4. Last Words

As the dementia set in, my grandfather started calling my grandmother Luz. (Her given name was Maria de la Luz, but she’d always gone by the Americanized Lucy.) In 65 years of marriage, he had never called her Luz before. On his death bed, he kept calling for her, calling for his mother, eyes wide and terrified, fixed on some distant point.

Mama, Luz, Mama, Luz

Mother, light, mother, light

I am unclear as to whether I was witnessing one life ending, another beginning, or both. I am unclear as to whether he was calling out for what he wanted, or if he was telling us what he was seeing in those final moments. Decades later, I do DMT and way too many mushrooms, trying to simulate the dying brain. Every time, the visions take me back to that moment, the ICU room, the doctor shutting off the ventilator. Every answer is circular, elliptical, life constantly doubling back on itself.

5. Tetragrammaton

It is forbidden to say the name out loud. Many four-letter words are considered profane. According to some, God is actually a four-letter word. (My grandfather would have said Dios.) But then, so is love. (Amor.) The unspeakable word of God means to be, and God spoke the world into being. Words are the domain of God, the domain of man. I think when people say that they love God, they’re really saying they love the world. Gabriel spoke one four-letter word to Mohammed: Read. Another four-letter word is joke. Did you hear the one about England and America, two countries separated by a common language? Presumably, man and God have a common language somewhere, but we’ve lost our accent. The phrase “Tower of Babel” does not appear anywhere in the Bible. It is simply “the city and the tower.” The name of the city was actually Bāb-ilim, “gate of God,” for language is a gate and understanding is its key and these mortal tongues are so tragically limited. Is every divine message a breakdown in communication, filtered through our faulty hearing apparatuses, interpreted by our even more faulty brains which are already dying? Is every religious text a collection of eggcorns and holorimes and ambiguous syntax, one big cosmic game of Telephone, two tin cans and a string? Now phones dominate our lives. Don’t leave me on read. Now the whole world is our phones, fiber optics like the Earth’s own nervous system. And England and America aren’t really separate, no more than birth and death are separate, or God and the world, or life and mystery. And we are inseparable, indistinguishable, from the world, from God, from each other. It’s been said that area codes have become like ancestral clan names or heraldry, a marker of your homeland. When we die, they say hearing is the last sense to go, which is why doctors encourage us to talk to our fading loved ones. Shema means “receiving the kingdom of Heaven.” Hear, O, Israel. Trumpets, harps, psalms, a voice ringing out. Be the receiver. Four letters, each one a pillar that holds up the universe. Hello, how may I direct your call?







Thursday, September 18, 2025

Update Sept. 18, 2025

PUBLICATIONS


My prose-poems, “Looking for Death in Northwest Florida” and Apocalypse House,” were published in This Exquisite Topology, an anthology now available from Angry Gable Press. Proud to be included in this beautifully curated collection – also, check out the gorgeous cover art!


APPEARANCES


I will be a featured reader along with Susanne West and Elisabeth Sennitt Clough at the Saturday Literary Salon, Saturday Oct. 4 at noon CT. Open mic to follow so if you tune in, please bring something to share!




Thank you to everyone who tuned in to hear me read on Time to Arrive in August. If you were unable to attend, here’s the link to the recording, passcode: 0&k+wb90.

Time to Arrive is on every Tuesday night at 6 pm PDT - great host, great crowd of poets who attended and read, I highly recommend checking them out! Many thanks to Dane Ince for having me on the show.

Tuesday, July 22, 2025

Update July 22, 2025

PUBLICATIONS


I had four poems appear in Bards of a Feather: Wings of Golden Syllables, Volume 2, including, "Imping," "Anting," "Plastic Flamingos," and "Blackbird Trapped."



"Imping" also appeared in The Woodside Review.



I had four poems appear in Five Fleas Itchy Poetry: "Segmentation," "Supernova," "Southside," and "Snapdragon." (The alliteration was not intentional!)



I also had an essay published. "Growing Pains" is about our experience with growing marijuana while my husband was in renal failure. It is in the latest issue of Home Planet News.


Tuesday, July 1, 2025

Update July 1, 2025

PUBLICATION


My poem, “Hades and Persephone’s Pillow Talk,” is in the latest issue of Gyroscope Review.


UPCOMING APPEARANCES


On July 22, 6 pm PDT, I will be the featured reader at the Time to Arrive Poetry Reading and Open Mic. Hope to see some of you there!

**Update 7/17/25 - A Facebook event has been created for this reading. 



I have recorded my segment on the Plague Remedy Podcast. I will share when the episode goes live! Thank you to Stephen Sacco for being such an excellent host. 



Monday, June 9, 2025

Update June 9, 2025

PUBLICATIONS


My poem, "The Sleep Study," appeared in Voices Unbound: An Anthology of International Poetry by Fresh Words Literary Magazine. Thank you to editor Som for including my work. 



Three poems appeared in the latest issue of the New Croton Review, "4:30 a.m. poem," "Ardor," and "Blackbird Trapped."  





Many thanks to the Lilomul Journal team for publishing three of my poems, "Semantics," "Expulusion," and "Ozark Mountain Christmas."


UPCOMING APPEARANCE


I recorded an interview last week with the lovely Stephen Sacco, host of the Plague Remedy podcast. We talked poetry, fiction, and Kansas City. I will share when the episode goes live!


 


Thursday, May 1, 2025

May 1, 2025 Update

Hello, all. For the foreseeable future, I will no longer be doing monthly updates - I will just wait until I have some news to share. Due to health issues, I haven't been writing much these past two years. In the last month, I started seeing a new neurologist and have a new treatment plan, which seems to be giving me some relief. Let's hope I continue to see improvement. 

I am trying to get back in the habit of writing every day, which is has been proving harder than I expected. Fortunately, I am very stubborn. I have started on a new fantasy novel. I have been sending work out to magazines again and have a few publications lined up, as well as a spot on a podcast that will be recorded in June. 

Thank you, as always, to all my lovely, supportive readers and to all the kind folks who have sent donations to help me cover my medical bills and some living expenses. It is deeply appreciated. 


PUBLICATION


My poem, “And Pain and I Resume,” is in the inaugural issue of Life in Limbo. Thank you to editor Victoria Desmond for including my work.


Happy Mayday to all!


Friday, February 28, 2025

February News

AWARD

I received this earlier this month. Thank you to the SFPA for this honor. Here is the winning poem, "Little Brown Changeling."



PUBLICATIONS


My poem, “At Culver’s Drive-Thru,” is in the latest issue of Locust Shells Journal. Many thanks to the editors for including my work. 



“Father” is in the New Feathers 2024 Anthology (print). Thank you to editor Wade Fox.




IN THE KING’S POWER



In the King’s Power is now complete – books 1-6 are now available as ebooks on Amazon/Kindle UnlimitedThank you to my readers for following this series. Ratings and reviews are welcome, and I am always happy to supply reviewer copies. 


Wednesday, January 29, 2025

January News

PUBLICATION


My poem, “Mono no Aware,” appeared in the Chilean magazine, Ultramarine Literary Review.

This is a special milestone for me, as it means I have now been published on all seven continents! Many, many thanks to editor Catalina Bonati.


IN THE KING'S POWER


Part 5 of In the King's Power was released on January 1 as an Amazon ebook. Read a bonus excerpt here.


Part 6, which is the final installment of the series, will go live on Saturday, February 1, also as an ebook, $3.99 to purchase, or free to read with Kindle Unlimited. Read an excerpt here


OTHER NEWS


In an effort to disentangle myself from the Metaverse, I have deleted my Instagram profiles. I will not delete Facebook at this time, as there are far too many people and communities there that I don't want to lose touch with, but I will not be spending much time on it, and I don't plan on posting any more writing-related announcements there-- I don't want to contribute to its engagement or Zuck's bottom line anymore than I have to. I am hoping to start separating my work from Amazon as well, as I am able. 

In the meantime, you can find me on BlueSky @laurenscharhag.bsky.social. And, if you are so inclined, I am still on LinkedIn, and can be reached by email

 











Wednesday, January 15, 2025

In the King's Power - Part 6 Cover Art and Excerpt


Part 6 is the final part of In the King's Power. It will be available February 1 on Amazon, free on Kindle Unlimited, $3.99 to purchase. Check out the rest of the series on Amazon here. Bonus excerpts are available here on my blog - access them from the series overview


SYNOPSIS 

Reunited with her foster father at last, Alyssa must choose the life she ultimately wants.


EXCERPT

THE coming weeks were every bit as hard as Clayton had imagined they’d be.

After he treated and bandaged the wound, Alyssa began to speak, haltingly at first. He’d picked up a few leatherbound journals in town, as well as some pen and inks, and now, he asked her permission to take notes as they talked. She granted it.

Their progress was interrupted the following day when she took the bandage off. The scalding metal had done nothing to mar the dessin itself—just the flesh around it. Clayton explained that, from what he’d learned from talking with Thia and her Red Garter friends, the dessin was created using alchemical inks, formulated with powerful enchantments. Occasionally, women who’d managed to escape their husbands and keepers found ways to black out the marks, but that was all. Even an alchemist or a healer could not erase it completely. They could remove the colors, but the woman would still be left with a ghostly outline.

Alyssa became quite hysterical at that. She howled, she screamed, she pounded the walls with her fists until she fractured her knuckles, and blood ran down her arms. If she were any other mental health patient, Clayton would recommend a sedative, anti-anxiety medication, but with Alyssa, that just wasn’t an option.

Outwardly, he kept his cool, holding her when she finally wore herself out, tending again to her injuries. But inwardly, he was heartbroken. No parent wanted to see their child go through this. He was also frightened. This was the most dangerous time. What if she hurt herself so badly, he wouldn’t be able to treat it with ointments and bandages? Or what if…?

But no. He refused to even think it. She’d come this far. She’d make it the rest of the way through this.

When he stepped outside to refill the water bucket, he found animals surrounding the house, looking somberly on. He left the door open and some of them followed him inside. Having a fox curled around her feet, a chipmunk on her shoulder, seemed to soothe her.

The priority was to make sure she didn’t hurt herself again. Clayton didn’t think she would. Both times, she’d injured only her hands, trying to destroy the dessin. But all the same, he asked her to stay close to the cabin for the foreseeable future. “Please, don’t go anywhere without me?” He put in only the tiniest hint of a question, to make it sound like a request and not a directive.

Understanding him perfectly well, she nodded. “I won’t.”

Alyssa resumed speaking. Days passed, and she continued to speak. Of course, the story did not come chronologically. She laid it out like a terrible Tarot spread for him to interpret. The cards shuffled and overlapped and reversed direction, but they stuck with it. The individual incidents even sounded like the trump cards of some strange new arcana: the Mute Queen, the Burning Girl, the Forty Slain Men, the Masquerade, the Kiss of Life, the Suicide Princess, the Sword and the Carving Knife.